The Vintage Compressor has a feedback design that’s inspired by several classic compressors, with a slightly more distorted sound and an excellent, flexible sidechain with three filters. There are plenty of new algorithms, but how do they sound? The Vintage Tape is based on a Struder A810, with controls for input drive, bias, speed, harmonics, low and high emphasis, and it can be used to add satisfying crunch. Most modules have the option of running in M/S mode, and there’s a comprehensive set of global and module presets. The GUI retains its crisp, modern finish, which allows you to easily drag and rearrange the order of the modules.
#IZOTOPE OZONE 7 KEYGEN PLUS#
The Advanced version adds Vintage Tape, Vintage EQ and Vintage Dynamics modules, plus an mp3 codec preview feature and like previous editions, also comes with separate plug-in versions of each processor, plus iZotope’s metering suite, Insight. Whether you opt for the standard or Advanced versions, you’ll get the usual crop of excellent processors, including EQ, Dynamics, Imager, Exciter and Maximizer modules, available as either plug-ins or standalone software.Īdditions to the standard version include the Dynamic EQ module from Ozone 6 Advanced, the new Vintage Limiter module, a new IRC IV Maximizer algorithm and MP3/AAC export. In version 7, however, the boffins at iZotope have set their sights on crafting some new vintage modules based on a range of classic outboard kit, along with plenty of new features to fill out the package. Ozone is well known for its precision tools, but perhaps less so for adding some analogue-style warmth to your masters. We’re big fans of iZotope’s all-in-one mastering software, and it gets used to some degree on every track I produce.
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